IntroducinG

IntroducinG

the many facets of

the many facets of

Andrew Hurst

Andrew Hurst

~ follow the journey below and come on an adventure....

~ follow the journey below and come on an adventure....

Andrew Hurst ~ unique artistry

characterised by chameleon musicality

Andrew Hurst ~ unique artistry

characterised by chameleon musicality

Take a look around this site to find what suits your interest, whether it’s mainstream classical guitar and lute performances, event background music, Arts Festival special programmes, lesson availability, compositions, arrangements, ethnic themed music provision, charity concerts...

Andrew’s Recommendations

Pop-ups, tailored events

Event Planners

background ambience

Garden parties / functions

Private parties

huge variety of repertoire

“1000”

years of music

~ A programme for Arts Festivals from September 2024 ~

The year 1066 marks a pivotal moment in the tapestry of history, as William of Normandy's audacious conquest of England sets in motion a seismic shift in the Anglo-Saxon world.

“....This Norman invasion inaugurated a period of profound transformation across the realm. William's victory at the Battle of Hastings introduced Norman culture, language, and governance to England. The feudal system was established, reshaping the social and economic landscape, while the Norman influence on architecture, language, and law wove new threads into the fabric of English identity. This wave of change, initiated by William's ambition and military prowess, forever altered the course of English history, laying foundational stones for the nation it would become....”

Each musical development is characterised using playing styles specific to the period

“1000” opens with a Fanfare from Caen Castle, a Ballad from Bayeaux, and embarks on a journey through European medieval music, English Tudor and Elizabethan music, through to European Baroque music, processing right through Classical, Romantic, and Impressionistic periods, to open out the familiarity of film and chart music, culminating with original composition work of Andrew’s, with music very much “of our present time”

* the programme may have interchangeable items covering this expanse of time *

About

About

Andrew

Andrew

The Royal College of Music building is an inspiration in itself, overlooking the Royal Albert Hall, South Kensington

Andrew studied classical guitar, piano, lute, and composition at the Royal College of Music for 5 years as a Junior Exhibitioner, and 5 years as an Under-Graduate / Post-Graduate, obtaining teaching and performing diplomas along with a BMus (hons) degree.


Teachers adding to the study mixture, with links to their ongoing work, where possible:


Charles Ramirez, - John Williams, - Carlos Bonnell, - Robert Sutherland, - Jacob Lindberg, - Gary Carpenter, - Anthony Milner, - Mary Woolmer,, - Michael Fields, - Robert Spencer


PROFESSIONAL DEVELOPMENT

in educational support as a teacher


Andrew is a constantly learning and growing musician and teacher, taking professional development seriously, through Enfield Arts Support Service and Essex Music Services' In-House Professional Development Programmes, as well as a classroom teacher Graduate Training Programme to increase awareness on learning styles and pitched deliveries, along with his own specific questioning of approaches and content, together with ongoing study of conveying creative teaching maxims. As this website develops, an increasing amount of didactic material will be made available.


Discussions on various topics will begin to appear:


  • Methods and reinforcements of memorisation
  • How to enable accuracy and speed and how the two work together
  • How to define what makes the style of music
  • How to get comfortable to improvise - and how to improvise
  • How to improve in reading your instrument’s notation
  • Defining your own learning style
  • How to encourage your teacher (yes, it works both ways!) to take your learning style into account
  • How any notation acheives communication of music (and what is missing)


~ An endless list to come...! ~

“1000” ~ the development of music in England from 1024 ~ 2024


Instruments: Lute, Classical Guitar, Piano, Electronic Keyboard (orchestral timbres), Electric Guitar


Programme outline:


Music from Normandie - Accession of William I - 1066

Fanfare de Caen - A Hurst - 2017

Ballade de Bayeux - A Hurst - 2017


Music post Empress Mathilde (Devizes Castle) - c.1130 - 1192

Ja Nuns Hons Pris - Richard Cœur de Lion


Music emerging after the Black Death c.1350

Douce Dame Jolie - Guilliame de Machaut


Music from Henry VIII - c.1509

Pastyme with good Companie - Henry VIII


Music in Europe during Golden Age of Elizabeth I - c.1540 - 1597

Air - John Johnson

Galliard - Anon (Italy)

Fantasie (in the style of Ludovico the harpist) - Mudarra (Spain)

Go fro’ my window- Anon (Folger / Shakespeare)

Queen Elizabeth Her Galliard - John Dowland

Earl of Essex His Galliard - John Dowland

Lachrymae Pavin - John Dowland


Music from the Baroque era - c1720-1750

Excerpts from I Staggione - Vivaldi


Music from Late Classical / Early Romantic period - c1801-08

Moonlight Sonata Mvt 1 - Beethoven

Pastoral Symphony Mvt 1 - Beethoven (arr. Hurst)


Music from the Romantic period - c1847-49

Waltzes Op69, 1 and Op64, 1 - Chopin


Music from Impressionism - 1888-91

Arabesque 1 - Debussy


Music from WWI and WWII

Nimrod - Elgar (arr. Hurst)


Music from Film and Charts - 1970/71

Cavatina - Myers (arr. Hurst)

Life on Mars - Bowie (arr. Hurst)


Music from a potential film score - 2024

Oushi-Machi (from Cookie Cutter Island album) - Hurst



This programme is delivered with engaging connecting narrative, adding to the drama and context of the musical developments

Location / email

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Wessex, England

request via email

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Coming Soon
Coming Soon

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@andrewhurstmusic

Creativity

This page is under construction to eventually include links to:


  • classical guitar arrangements of piano works (e.g., Clair de Lune, Beethoven’s Moonlight Sonata)


  • classical guitar arrangements of contemporary songs (e.g., Life on Mars, various Beatles and Simon and Garfunkel, Whiter Shade of Pale, Fragile, Shape of My Heart, Bohemian Rhapsody)


  • “Epic” arrangements of unusually large scale works, (e.g., Beethoven’s Pastoral Symphony, Pink Floyd’s “The Wall”, “The Fellowship of the Ring” soundtrack and many more.


  • Andrew’s compositiions over many years


  • Andrew’s new compositions and current projects


Instruments offered for Recitals, Entertainment situations, Ambience creation


Classical guitar

Renaissance lute / Archlute

Piano

Sitar (tablas) / Gu-zheng (shakuhachi-Xiao)

Electronic keyboard for “soundscaping”